Showing Collections: 1 - 9 of 9
Francis D. Murnaghan, Jr. papers
Francis D. Murnaghan Jr. (1920–2000) was a United States federal judge based in Baltimore, Maryland. This collection consists of materials dating from 1946 to 2000, including appellate briefs authored while a practicing attorney, judicial decision files, papers reflecting his role of a Trustee of both the Johns Hopkins University and The Walters Art Gallery, appointment books, and a limited amount of personal correspondence.
Jean Eichelberger Ivey papers
Jean Eichelberger Ivey (1923-2010) was a composer, pianist, electronic musician, professor, and the founder of the Peabody Conservatory Electronic Music Studio, which she directed from 1969 until her retirement from Peabody in 1997. The Jean Eichelberger Ivey papers contain scores and recordings of Ivey's musical works, writings and notes by Ivey, personal and professional correspondence, programs and clippings, photographs, and other personal and professional papers.
Mary C. Walker papers
This collection contains Mary C. Walker’s papers acquired throughout her time working at Peabody and years thereafter. The collection consists of personal correspondence, working documents, programs, newspaper clippings of music events, photographs, and personal items.
Peabody Gallery of Art records
Peabody Institute Anne Brown collection
Peabody Institute Office of the Provost records
Peabody Institute publications and printed materials
Sidney Lanier papers
Sidney Clopton Lanier (1842-1881) was an American musician, poet and author. The collection spans the years 1838 to 1998, with the bulk dating from 1838 to 1972. The material consists of correspondence, prose, poetry, lecture and music manuscripts, photographs, memorial information, and newspaper clippings.
Sounds and Stories collection
Sounds and Stories began in 2002 as an oral-history project. A Peabody Conservatory musicology seminar of 18 students interviewed dozens of participants in the music of Baltimore's black community to record their memories and to document their world and their legacy. The collection was assembled primarily from 1998 to 2004 and contains oral histories, photographs, and supporting research about African-American musical culture, especially in Baltimore from approximately 1930 to 1960.